Trisha Krishnan turned 42 on May 4, 2025, and the beloved ‘Good Bad Ugly’ actress treated her fans to a special birthday photo dump on social media.

“Couldn’t ask for more”

Captioned “Couldn’t ask for more. #birthdaydump #thankful,” the post offers a heartfelt peek into her intimate celebration with close friends, marking another memorable year for the South star.


In the pictures, Trisha radiates happiness and gratitude, surrounded by her loved ones in a cozy yet elegant setting. The candid moments, cheerful smiles, and celebratory decor reflect the warmth of the evening, giving fans an inside look at the star’s joyful birthday bash.

Fans and well-wishers react

Fans and industry friends quickly flooded the comments with love and best wishes, celebrating the iconic actress on her special day. One comment read, “belated happy birthday trish! can’t wait for S45!.” Another comment read, “happiest birthday woman!.” A third comment read, “Your cutenesss will never fade quennn.” Another one wrote, “Lovely queen.”

https://www.instagram.com/p/DJUM5dCP0U6/?utm_source=ig_web_copy_link https://www.instagram.com/p/DJUM5dCP0U6/?utm_source=ig_web_copy_link

Trisha’s work front - from ‘Suriya 45’ to ‘Thug Life’

On the professional front, Trisha was last seen in ‘Good Bad Ugly’, where she played a pivotal role alongside Arjun Das, Sunil, Prabhu, Prasanna, Karthikeya Dev, and Priya Prakash Varrier.


Looking ahead, Trisha’s calendar is packed with major projects. She will be seen next opposite Suriya in the tentatively titled Suriya45, generating much buzz among fans. Additionally, she has key roles in the fantasy epic Viswambhara, and in Thug Life, the ambitious collaboration between Kamal Haasan and Silambarasan TR (STR).

On the other hand, Trisha was also seen recently in the Ajith Kumar starrer action flick ‘Vidaamuyarchi’ which unfortunately didn’t make much impact at the box office as expected. The film which was a Tamil remake of the Hollywood film ‘Breakdown’, failed to impress the audiences. She was also seen in Tovino's 'Identity'.