Jo Bole So Nihaal features a rustic Jat pursuing his main rival from Punjab to New York, setting the stage for what could have been a hilarious adventure.

However, director Rahul Rawail appears to believe that a solid premise alone suffices for a successful film, neglecting the need for a well-crafted narrative.

Sunny Deol shines as the naive yet street-smart Jat cop navigating New York, relying on his local wit and the blessings of his mother, played by Surekha Sikri, to outsmart a group of bumbling New Yorkers, including some inept FBI agents who resemble minor characters in a comedic skit rather than a sharp satire on the Indian experience abroad.

It's hard to fault Sunny for not delivering a more energetic performance, as the script and dialogue frequently fall short.

Sanjay Chhel's writing lacks the punch expected from a comedy. A newcomer, Shilpi, portrays an underdressed FBI agent who brandishes her weapon at Sunny with exaggerated aggression, but the humor is minimal.

The film's comedic moments dwindle significantly in the second half, particularly during a scene featuring a ridiculous Punjabi couple exchanging crude insults, which diminishes the overall humor.

Despite the shortcomings, Sunny manages to elicit smiles with his straightforward approach to handling crises, reminiscent of the Australian film Crocodile Dundee, where a rural hero confronts urban sophistication.

He appears in nearly every scene, delivering lines to the 'gora-log' with his characteristic flair. His role as a turbaned hero mirrors his previous work in Gadar, where he triumphs over adversaries in their territory.

Unfortunately, the film's formula is not fully utilized, and the direction could have benefited from more refinement.

The film struggles to decide whether it aims for satire or slapstick, ultimately failing to achieve either effectively. The chaotic narrative revolves around gangsters and terrorists without a clear focus.

The simulated explosions in New York come off as laughably small, and the musical numbers are more disastrous than the events of 9/11. For a Sunny Deol film, it relies on too many shortcuts, resulting in a disjointed and haphazard final product.

It's disappointing, as audiences expected a Sunny Deol comedy to deliver more than just sporadic laughter.

Sunny receives minimal support from the script or direction, with Rawail also appearing as a caricatured gangster that detracts from the film's quality. The supporting cast, including the talented Surekha Sikri, also falls into over-the-top performances.

While Sunny Deol stands out, he is overshadowed by a lack of creative depth, leaving his impressive presence somewhat diminished.