Shyam Sharma, a distinguished printmaker, educator, and author, recently held an engaging audio-visual showcase of his artwork at the CLKA Open Hand Studio located in the Le Corbusier Centre, Sector 19, Chandigarh. This event was organized by the Chandigarh Lalit Kala Akademi.

The presentation captivated attendees and was followed by an interactive discussion. Sharma, who has been honored with the Padma Shri award, generously shared his extensive expertise with both established and emerging artists present.

Hailing from Govardhan, Mathura, Sharma is celebrated for his exceptional skills in printmaking and his innovative approach to various mediums. He received training from his grandfather, the renowned Nainsukh Sharma, and has a particular talent for reverse glass painting and theva work.

As a former Principal at Patna University, Sharma has been instrumental in nurturing the artistic sensibilities of young creators through such interactive events. He elaborated on the historical context of printmaking and its evolution over time.

Sharma is recognized for his incorporation of indigenous materials and techniques in printmaking, striving to produce unique creations. He continually seeks to innovate, experimenting with printmaking across diverse forms and surfaces. For him, printmaking is a profound art form that requires a discerning eye to appreciate its true beauty.

During his slideshow presentation, two prints—a black-on-black and a white-on-white piece crafted from handmade paper pulp—captured the audience's attention. Sharma enjoys utilizing clay blocks and flat wood to create depth, and he also experiments with various objects and cotton surfaces.

He discussed the numerous challenges inherent in printmaking but emphasized that passion and perseverance can help artists navigate these obstacles.

Tradition holds a significant place in Sharma's life and work; however, he believes that tradition, or parampara, is not static. It evolves alongside societal values. He stated, “Only by embracing our traditions can we reach new heights.”

Sharma pointed out that printmaking demands financial investment, energy, and dedication. Unlike other art forms such as painting or sculpture, printmaking is less commonly practiced, often due to a lack of awareness.

“Visual art is a societal blessing that cultivates discipline and focus. Additionally, it is the patron who enhances the value of a piece of art,” he remarked.