Muzaffar Ali’s iconic film, Umrao Jaan, makes its way back to cinemas after 44 years since its original release. However, the enthusiasm surrounding this revival appears to be minimal, as the Kotha culture depicted in the film seems to have lost its appeal among contemporary audiences.

The year 1981 marked a significant shift towards realistic storytelling in Indian cinema, with notable performances from Smita Patil in Subah, Saritha in Thaneer Thaneer, and Jennifer Kendal in 36 Chowringhee Lane.

Rekha's portrayal of Umrao Jaan stands out as exceptional, showcasing her as the quintessential choice for the role. The narrative follows a woman whose restless spirit leads her through complex relationships, including a shy Nawab played by Farooq Shaikh, her childhood admirer portrayed by Naseeruddin Shah, and a dacoit played by Raj Babbar.

The film is infused with a sense of poetic danger, suggesting that beneath the characters' refined exteriors lies a yearning for primal satisfaction, often expressed in more direct and passionate terms.

The narrative is beautifully framed by music, beginning with the child Umrao joyfully responding to the traditional Bidaai song Kahey ko biyahi bides. Following her abduction, she is groomed to become a sophisticated tawaif.

In the film's conclusion, Umrao revisits her childhood home, reflecting on her past through the poignant song Yeh kya jagah hai doston?. Music and lyrics play a crucial role in Umrao Jaan, elevating the courtly tale to new heights, thanks to the contributions of Khayyam and Asha Bhosle.

Khayyam and Asha Bhosle rightfully received National awards for their remarkable work, as did Rekha, who controversially triumphed over Jennifer Kapoor’s heartfelt performance in 36 Chowringhee Lane. Umrao Jaan remains a defining moment in Rekha's career, overshadowing her other roles.

Interestingly, the same year saw Rekha in Yash Chopra’s Silsila, where she portrayed an enigmatic beauty in search of love.