Before reading this review, let me remind you that I haven’t watched the original movie  Pariyerum Perumal because I didn’t want to have preconceived notions about Dhadak 2.

If you’re expecting Dhadak 2 to be just another emotional love story with a happy or tragic ending, you’re in for a surprise because this film goes far beyond that.

At its heart, Dhadak 2 confronts deep-rooted issues like social inequality, casteism, and class divide. The romance, though central, serves more as a lens to explore these larger, uncomfortable truths. It's a film that challenges you to reflect, especially if you're a young man or woman in your 20s’, on your place in society and the privileges or prejudices you may carry, knowingly or unknowingly.

So as an overall cinematic experience, Dhadak 2 is an excellent watch.

Some might find the screenplay a bit slow, but it’s important to let the film breathe and unfold at its own rhythm, because Shazia Iqbal deliberately crafts a raw, unfiltered narrative that steadily and relentlessly strikes at your conscience.

© Dharma Productions

Considering this is her directorial debut, Shazia has done a remarkable job, bringing both restraint and intensity to the storytelling. What’s even more impressive is that she draws out a career-best performance from Siddhant Chaturvedi, capturing him in a way we haven’t seen before — vulnerable, layered, and deeply affecting.

There’s a powerful moment in the film where Saurabh Sachdeva’s character is offered tea by Siddhant. As they engage in small talk, Saurabh casually enquires about Siddhant’s background. The moment he realises that Siddhant belongs to a lower caste, he silently sets the cup down. It’s a quiet gesture, but his expression, a fleeting flicker of discomfort and concealed disgust, speaks volumes. The scene is handled with such subtlety that it doesn’t scream prejudice, yet it lingers, exposing how deeply ingrained caste bias can be, even in the most seemingly mundane interactions.

As mentioned earlier, it wouldn’t be an exaggeration to say that Dhadak 2 features Siddhant Chaturvedi’s finest performance to date. His portrayal is deeply moving, and one can sense that his experience playing Prashant Kanaujia in Inside Edge has contributed to the emotional depth he brings to this role.

Siddhant truly shines in the moments where his character is broken, defeated, and vulnerable, and watching him slowly rise, reclaiming his dignity and voice, is immensely satisfying. I found myself completely invested, rooting for him every step of the way, and feeling his rage as if it were my own.

© Dharma Productions

Triptii Dimri had been facing criticism from many viewers who felt that she wasn’t tapping into the depth and nuance she showcased in Qala and Bulbbul in her recent films. However, while watching Dhadak 2, I genuinely felt the return of that very ‘performer’ Triptii, delivering a layered, emotionally rich, and powerful performance that reminded me why she stood out in the first place.

© Dharma Productions

And what to say about Saurabh Sachdeva? Bollywood has found its new villain, and he will remind you of Bobby Deol’s character from Love Hostel.

Beyond the lead performances, the supporting cast in Dhadak 2 deserves special mention. Each actor, a seasoned performer in their own right, brings authenticity and depth to the narrative. 

While the songs of Dhadak 2 are already making waves, what truly stands out is the use of silence, masterfully employed by both the editor and the director to heighten the emotional weight of key moments. These pauses speak louder than words, allowing the audience to fully absorb the characters’ pain and resilience.

The background score is equally impactful, perfectly complementing the film’s cold-blue visual tone, which also signifies the marginalised community.

Dhadak 2 definitely surpasses its first installment. It is a solid film with a strong social message that deserves to be watched.

Ratings: 4/5