They veteran Pakistani Director Saife Hasanknown for his sharp vision and hit dramas like Ehd-e-Wa and Sang-e-mahrecently opened up about the power of storytelling under restrictions — using Iranian cinema as an example to challenge the mindset of Pakistan’s entertainment industry.

In a candid appearance on a morning show on a private TV channelSaife Hasan praised the remarkable evolution of Iranian cinemadespite the heavy censorship and strict social codes in place. His comments struck a chord with many in the creative community who’ve long debated the balance between creative freedom and cultural boundaries.

Saife Hasan’s comparison wasn’t just about Iran; it was a wake-up call for Pakistan’s entertainment creators and decision-makers. While acknowledging that quality work does exist in Pakistanhe emphasized that an overwhelming amount of content dilutes the impact of the good projects.

The director also shed light on the internal dynamics of the drama industry, stating that production houses often prioritize profit over storytelling. He revealed that producers usually make the final call when it comes to casting main roles, while directors are only partially consulted.

But Saife Hasan made one thing clear — he has limits.

His remarks come at a time when Pakistan’s entertainment industry is wrestling with questions of quality, representation, and commercialism. While many creatives feel boxed in by ratings and trends, Saife Hasan’s voice adds an important dimension — a reminder that great art doesn’t always need fewer rules, it needs stronger intent.

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