The Democratic Republic of Congo will take on Colombia tonight at 3 a.m. British time, and all eyes will be on Michel Nkuka — the man known as the nation’s ‘living statue.’
This passionate supporter, who follows his national team across the globe, will once again take his place in the stands, standing perfectly still and embodying unwavering devotion until the final whistle blows.
But who exactly is Michel Nkuka? What inspired his unique performance, and how did he become known as the ‘living statue’?
Michel Nkuka, a devoted fan of the Democratic Republic of Congo, first began his living statue act in 2013. He debuted his now-famous routine by standing motionless among the crowd, and has continued to do so at matches ever since.
Currently, Nkuka is in Mexico, supporting his nation as they face Colombia. Often positioned on a raised platform among the fans, he stands completely still for the duration of the game, becoming a striking symbol of pride and patience.
Nkuka is known for dressing in attire that mirrors the colours of the Democratic Republic of Congo’s national flag, adding further meaning to his silent display.
In several interviews, Nkuka has explained that his performance is a tribute to Patrice Lumumba, the first Prime Minister of the independent Congolese Republic. Lumumba, a key figure in the nation’s early political history, had a statue erected in his honour in 2002 in Kinshasa. He was tragically assassinated in 1961 after leading the Congolese National Movement for three years.
Nkuka’s act gained widespread attention during the 2025 Africa Cup of Nations, when the Democratic Republic of Congo reached the Round of 16. In a moment that fans still recall, Nkuka dramatically collapsed—much like Woody reacting to Andy’s footsteps in Toy Story—after Algeria scored a heartbreaking 119th-minute winner.
Supporters of DR Congo are hoping for a stronger performance this evening. Yet, one thing remains certain: as long as there is hope for his nation, Michel Nkuka—the living statue—will continue to stand tall.
